I thought the issue about federal coverage for sound recordings was more
complicated and predates 1972.
My copy of Nimmer puts the Mr Maestro case in 1963, and I thought that case indicated that, even well before 1972, sound recordings could (in principle) have federal copyright protection under the right circumstances.
Did I get something fundamentally wrong? It would be very convenient if I did.
Best wishes ... Michael (a humble librarian, not a lawyer)
-----Original Message-----
From: S. Martin Keleti [mailto:keleti[_at_]manifesto.com] Sent: Tuesday, October 03, 2000 1:53 PM To: Multiple recipients of list Subject: Re: Sound Recordings
At 04:40 PM 09/28/2000 -0700, you wrote:
>When were sound recordings first covered by copyright?
February 15, 1972
>Could a film maker use, in a film, a recording of a public domain musical
>work that was recorded before that date, without infringing?
>For example, say the Berlin Philharmonic made a recording of Mozart's 40th
>in 1953, and the film maker takes the performance from a famous-label LP
>distributed in 1953 and uses that for the music in her film. No
>infringement?
No _federal_ copyright infringement action, but state anti-piracy laws,
e.g., Cal. Civ. Code 980. That's why 17 USC 301(c) looks the way it does.
>Robert C. Cumbow
> Graham & Dunn PC
> 1420 Fifth Avenue, 33rd Floor
> Seattle, WA 98101-2390
> 206.340.9619
> 206.340.9599 fax
> rcumbow[_at_]grahamdunn.com
> http://www.grahamdunn.com
>
> Big law firm experience
> > without the big law firm experience(r)
> >
> >
> >
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Received on Thu Oct 05 2000 - 14:26:35 GMT
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