Re: The Eric Eldred Act

From: Denis Borges Barbosa <denisbarbosa[_at_]unikey.com.br>
Date: Fri, 31 Jan 2003 10:48:07 -0200
The issue is lost when you suggest that a tax incentive should be given to induce authors to donate works to public domain. Economic analysis (it would seem to me) would think that proposal quite a  paradox.

The Government incentive already exists. Copyright in itself is an artificial (although necessary) Government interventive action to induce authors to create. If public interest advises that works should remain in public domain, just cease or limit the incentive already granted. Can you imagine a Government subsidy to plant wheat, and a second one to pay for the fuel for burning the same wheat? Oh, that happened in Brazil with coffee, but then , as Charles de Gaule said, Brazil is not a serious country.

At 02:44 30/01/03 -0600, you wrote:
Hello Eric
Having seen the effect of rampant copying and distribution on the music
industry and the effect of competition from too much royalty free stock art
and works of old masters on the illustration industry, I don't think introducing
more works into public domain promotes progress enough to offset the
depressing effect that releasing a flood of republished works has on original
creations and emerging markets in the digital age. However, since you asked
for opinions, I'd like to suggest a carrot instead of a stick.

If your goal is to nudge languishing copyrighted works into the public domain
sooner,  why not petition Congress to offer a tax incentive for donating works
that copyright holders don't plan to exploit themselves rather than thinking of
ways to unfairly push creators into giving up copyrights. Creators' heirs already
give more than other citizens. Who else in our capitalistic society is forced to
give up valuable holdings to the public domain without any compensation for
the loss of income their unique property can potentially produce?

If your goal is to make works more available and accessible to the public,
why not petition Congress to be more proactive in supporting the exclusive
rights of creators during their limited terms? Laws only help IF creators can
afford to register the works, and IF they can take the time and effort to track
down infringements, and IF they can afford the money and time spent to
pursue infringement cases. Congress could do much more. They could
set up a licensing system for copyrighted works so creators could update it
online with info about available licenses and fees. Then the public would
have easy access and the ability to do price comparisons. Congress could
also authorize public information broadcasts telling people about the harm
copyright infringement does and how to avoid doing it. Public domain works
could carry a distinctive mark allowing the public to KNOW when they are using
works legally. Congress could entitle original creators to participate in copyright
infringement insurance so the insurance company could pursue infringement
cases thus allowing creators to keep creating more new works. Then creators
could actually earn the income to which they are suppose to be exclusively
entitled.

Instead, Congress keeps putting a fresh bandage on a gushing wound. The
struggle to exercise the creators' supposedly exclusive rights has become
incredibly difficult due to rampant infringement, ease of copying, instant access
to worldwide distribution, and increasing competition from republished public
domain works. Extending the time creators and their heirs have to earn from
their creations every time technology makes earning from those works more
difficult is the least Congress can do. The very least.

Regarding reasonable term limits in today's environment, the ability to earn from
their creative efforts is so difficult, that children and spouses of creators often
have to sacrifice for the sake of the "art." Maybe even more than the creator does.
The creator may be blissfully happy creating while the rest of the family struggles
to make ends meet on scant income. Being a creator is often a cottage industry
with the entire family invested in the business. They all deserve to be rewarded for
the duration of their lives for their contribution, sacrifice, and continued marketing
efforts. In addition, other publishers may alter the works in ways that embarrass
the heirs. The heirs have a stake in both the creators reputation and the work.
They have insight about how and where the creator would want the work to appear.
The public does not deserve to step in and benefit ahead of those who helped
bring the work to the world. So the authors life plus 70 years or the lifetime of the
children, whichever is longer, is reasonable in my view. (If you made it dependent
only on the lifetime of the children, it might endanger their lives.)

Just wanted to let you see what the opposite end of the spectrum looks like. :)
You may see red about term limit extensions, but things looks pretty blue on my
end.

Linda Gruber
Novel Art
http://www.novelart.com


on 1/27/03 9:03 PM, cni-copyright@cni.org at cni-copyright@cni.org
Eric Eldred wrote:

In response to the stunning decision in Eldred v. Ashcroft, we have come up
with an idea that we would like discussed here.

It is for a tiny tax on works in the 50th year of copyright.  If the tax is
not paid, the work would enter the public domain.  Thus works with no
commercial value would enter the public domain much as they would earlier when
the term expired.  Works with commercial value would be paid for and would
enjoy the current copyright term.  The tax could go to support the
registration process.

Maybe 50 years of copyright is too long.  The Economist has spoken out for a
14 year renewable term.  But we recognize we have to make significant
compromises with the strong copyright interests in Hollywood in order to
persuade Congress about the benefits of this proposed act.

For more information, please see
http://cyberlaw.stanford.edu/lessig/blog/archives/EAFAQ.html
What do you think?



____
"Eric"    Eric Eldred   mailto:ericeldred@usa.net
http://www.eldritchpress.org  "Eldritch Press"
Received on Fri Jan 31 2003 - 12:49:56 GMT

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