Received on Fri Jan 31 2003 - 12:49:56 GMT
- Hello Eric
- Having seen the effect of rampant copying and distribution on the music
from too much royalty free stock art- industry and the effect of competition
- and works of old masters on the illustration industry, I don't think introducing
for their contribution, sacrifice, and continued marketing- more works into public domain promotes progress enough to offset the
- depressing effect that releasing a flood of republished works has on original
- creations and emerging markets in the digital age. However, since you asked
- for opinions, I'd like to suggest a carrot instead of a stick.
- If your goal is to nudge languishing copyrighted works into the public domain
- sooner, why not petition Congress to offer a tax incentive for donating works
- that copyright holders don't plan to exploit themselves rather than thinking of
- ways to unfairly push creators into giving up copyrights. Creators' heirs already
- give more than other citizens. Who else in our capitalistic society is forced to
- give up valuable holdings to the public domain without any compensation for
- the loss of income their unique property can potentially produce?
- If your goal is to make works more available and accessible to the public,
- why not petition Congress to be more proactive in supporting the exclusive
- rights of creators during their limited terms? Laws only help IF creators can
- afford to register the works, and IF they can take the time and effort to track
- down infringements, and IF they can afford the money and time spent to
- pursue infringement cases. Congress could do much more. They could
- set up a licensing system for copyrighted works so creators could update it
- online with info about available licenses and fees. Then the public would
- have easy access and the ability to do price comparisons. Congress could
- also authorize public information broadcasts telling people about the harm
- copyright infringement does and how to avoid doing it. Public domain works
- could carry a distinctive mark allowing the public to KNOW when they are using
- works legally. Congress could entitle original creators to participate in copyright
- infringement insurance so the insurance company could pursue infringement
- cases thus allowing creators to keep creating more new works. Then creators
- could actually earn the income to which they are suppose to be exclusively
- entitled.
- Instead, Congress keeps putting a fresh bandage on a gushing wound. The
- struggle to exercise the creators' supposedly exclusive rights has become
- incredibly difficult due to rampant infringement, ease of copying, instant access
- to worldwide distribution, and increasing competition from republished public
- domain works. Extending the time creators and their heirs have to earn from
- their creations every time technology makes earning from those works more
- difficult is the least Congress can do. The very least.
- Regarding reasonable term limits in today's environment, the ability to earn from
- their creative efforts is so difficult, that children and spouses of creators often
- have to sacrifice for the sake of the "art." Maybe even more than the creator does.
- The creator may be blissfully happy creating while the rest of the family struggles
- to make ends meet on scant income. Being a creator is often a cottage industry
- with the entire family invested in the business. They all deserve to be rewarded for
- the duration of their lives
- efforts. In addition, other publishers may alter the works in ways that embarrass
- the heirs. The heirs have a stake in both the creators reputation and the work.
- They have insight about how and where the creator would want the work to appear.
- The public does not deserve to step in and benefit ahead of those who helped
- bring the work to the world. So the authors life plus 70 years or the lifetime of the
- children, whichever is longer, is reasonable in my view. (If you made it dependent
- only on the lifetime of the children, it might endanger their lives.)
- Just wanted to let you see what the opposite end of the spectrum looks like. :)
- You may see red about term limit extensions, but things looks pretty blue on my
- end.
- Linda Gruber
- Novel Art
- http://www.novelart.com
on 1/27/03 9:03 PM, cni-copyright@cni.org at cni-copyright@cni.org
- Eric Eldred wrote
:
- In response to the stunning decision in Eldred v. Ashcroft, we have come up
- with an idea that we would like discussed here.
- It is for a tiny tax on works in the 50th year of copyright. If the tax is
- not paid, the work would enter the public domain. Thus works with no
- commercial value would enter the public domain much as they would earlier when
- the term expired. Works with commercial value would be paid for and would
- enjoy the current copyright term. The tax could go to support the
- registration process.
- Maybe 50 years of copyright is too long. The Economist has spoken out for a
- 14 year renewable term. But we recognize we have to make significant
- compromises with the strong copyright interests in Hollywood in order to
- persuade Congress about the benefits of this proposed act.
- For more information, please see
- http://cyberlaw.stanford.edu/lessig/blog/archives/EAFAQ.html
- What do you think?
- ____
- "Eric" Eric Eldred mailto:ericeldred@usa.net
- http://www.eldritchpress.org "Eldritch Press"
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