Re: Re: The Rights of Major League Baseball

From: Chris Sprigman <sprigman1[_at_]yahoo.com>
Date: Tue, 09 Dec 2003 13:56:31 -0500


I'm not sure what to make of John's analysis re: lack of fixation. An improvised speech is subject to copyright, even though it is not written down when given, if it is simultaneously recorded. Major league baseball games are simultaneously recorded. If there were no other bar to copyright, I don't think fixation would be one.

I think David Post is right to assert that a baseball game does not involve "authorship". The physical actions of baseball players are not expressive but functional -- they unfold according to a extensive set of rules, and they are directed toward success in the context of those rules. In contrast, an improvisational comedy routine may not be planned in advance, but it is still original creative expression -- just like a saxaphone improvisation in a jazz tune is, if fixed, part of the resulting copyright on the performance.

For those who think that a baseball game is a product of authorship, think of the same argument in the context of a chess game. Chess games unfold according to a set of rules that is complete -- complete in the sense that every potential move is contemplated by the rules and either allowed or proscribed. So in one sense there is no "originality" in a chess move, because every move is anticipated in the rules. There may be a sort of "creativity" in the ability of a grandmaster to see the power of a particular move in a particular situation, but that is analytic creativity -- it is neither expressive nor original. Analytic creativity (an algorithm, for instance) can be patented. It can't be copyrighted.


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