Terry, why can't the bystander "author" a recording of the
performance without the performer's authority? Think of him as a
journalist. He would have a copyright in the recording (which he
authored), but not the performance. Maybe it's thin protection
against mechanical duplication, but it's a copyright. No?
John Noble
At 4:43 PM -0500 12/12/03, Terry Carroll wrote:
>On Fri, 12 Dec 2003, Agenbroad, James (Civ,ARL/CISD) wrote:
>
>> IANL, but I would interpret this differently. IMHO I don't see
>> authorization affecting the fixation of the underlying work.
>
>It very definitely does; it's in the definition of "fixed" in section 101:
>
> A work is "fixed" in a tangible medium of expression when its
> embodiment in a copy or phonorecord, ***by or under the authority of
> the author,*** is sufficiently permanent or stable to permit it to be
> perceived, reproduced, or otherwise communicated for a period of more
> than transitory duration.
>
>If a performer is improvising a work of authorship, say, on a public
>sidewalk, and it is recorded by bystander without the performer's
>authority, it is *not* fixed within the section 101 definition. The work
>would be an unfixed work of authorship, protected, if at all, under state
>copyright laws (which are expressly excluded from preemption under section
>301(b)(1)).
>
>If the facts are the same, but the performer asks the bystander to record
>it, then the fixation is under the authority of the author, and is
>fixation within the meaning of copyright law.
>
>The interesting questions are what amounts to "under the authority of the
>author":
>
> - Performer says "Please record this"? Sure.
>
> - Bystander asks, "Do you mind if I record this?," and the performer
> says, "sure, go ahead"? Probably (but I suspect bystander would have the
> copyright in the audiovisual work itself, with the performer having the
> copyright in the work he created that is now part of the larger
> audiovisual work).
>
> - Bystander starts recording, and performer says nothing? My guess is
> that this isn't "authorization" of the performer, and would not amount to
> fixation in the 101 sense.
>
Received on Mon Dec 15 2003 - 21:37:33 GMT
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