Let me try my hand at the "basic question." Begin with the premise that
both copyright and patent are designed to secure to their owners the
benefits of their contributions to the greater good. But in the case of
patents, which apply to the technical arts, another public policy, or
greater good, comes into play. That greater good is the benefit of
competition in the production of the patented article. In other words,
the powers that be are relatively untroubled by the prospect of an artist
or author withholding his work from the public or exacting an exhorbitant
price for its enjoyment. But the inventor who withholds the benefit of
technical progress or exacts an unfair profit, in the judgment of the
legislators, should not be countenanced, at least not for very long. This
may say something about the relative value our society assigns to the
technical versus the "fine" arts, and it may be that you disagree with
what it is that it says. Still, its true, generally, that competition in
the production of "copies" of a creative work is of little moment, while
competition in the production of "useful articles" is central premise of
our economy, like it or not.Of course, the "logic" of the discrepancy
breaks down when, and to the extent, that the copyrighted work is also a
"useful article." Witness, the controversy peculiar to software copyrights.
--Received on Fri Mar 04 1994 - 23:50:38 GMT
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John F. Noble <> jnoble01[_at_]gumedlib.dml.georgetown.edu Editor <> Computer Law Reporter <> 202.625.2245 P.O.32230/WDC/20007
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