Re: Writers Union/UnCover Agreement

From: Irvin Muchnick <irvmuch[_at_]netcom.com>
Date: Mon, 29 Apr 1996 17:30:48 -0700 (PDT)

On Fri, 26 Apr 1996 rtannehil[_at_]cas.org wrote:
>
> Does anyone know of additional information about the National
> Writers Union (NWU) and UnCover creation of a transaction-based
> writers' royalty system for electronic media?
>
> NWU is establishing the Publication Rights Clearinghouse (PRC) to
> handle the royalty system. (See Library Hotline, 22 April 1996).

Attached is the text of a recent article about Publication Rights Clearinghouse, the new collective-licensing agency of the National Writers Union, followed by PRC "Frequently Asked Questions."

Irvin Muchnick
Assistant Director
National Writers Union
<irvmuch[_at_]netcom.com>


 

PUBLISHED IN THE SAN FRANCISCO DAILY JOURNAL March 1, 1996  

WRITERS HAVE COPYRIGHT SHIELD IN CYBERSPACE   By James Evans
Daily Journal Staff Writer  

Free-lance writers, represented by the National Writers Union, have created a legally significant and potentially lucrative weapon in their battle with publishers over copyright and revenue in cyberspace.  

The union has established the Publication Rights Clearinghouse, a central licensing agency for digital distribution and photocopying of articles when the copyright is owned by the authors instead of the publishers.  

The PRC is similar to the Copyright Clearance Center, which primarily serves as a licensing organization for publishers, and was central to one of the key court decisions allowing for copyright payments for photocopied materials, *American Geophysical Union v. Texaco Inc.*, 60 F.3d. 913 (1994).  

In that case, the 2nd Circuit Court of Appeals ruled that companies could not avoid paying for photocopying privileges based on the impracticality of finding individual publishers and authors when a structure existed to make paying licensing fees convenient.  

"No matter how much it's used at first, the mere existence of the PRC is terribly important legally and politically because it establishes that there is a market for digital materials, and that we are, as a creative community, being conscientious about these knotty problems in digital media," said Irvin Muchnick, the union's Oakland-based assistant director.  

The PRC has signed a nonexclusive agreement with only one company so far, but it is a big one -- UnCover, operators of the largest article and journal database in the country. UnCover recently was purchased by the Knight-Ridder Corp., which also owns the San Jose Mercury News.  

On a quarterly schedule, writers will receive 30 percent of the $8.50 that UnCover charges its customers for each article. From that payment PRC subtracts administrative costs of 20 percent for union members or 25 percent for nonunion  members.  

Muchnick said he expected other companies to see how the PRC conducted business before following UnCover. "Our real target is the Information Access Co., owned by Thomson Publishing in Canada," he said.  

"We would like to get them signed on, but they haven't responded yet," Muchnick said. "They keep pointing to their license agreements with publishers, and we keep pointing out that those agreements aren't valid because they include licenses to material owned by writers, not publishers."  

He added that he expected the PRC to have a favorable impact on *Tasini v. New York Times*, 93-CIV8678 (SS), a case in the U.S. District Court for the Southern District of New York, involving the digital reproduction of work owned by writers.  

Local copyright counsel agreed that the PRC could change the tide in the writers' struggle with publishers over copyright in cyberspace.  

"It's a good accommodation of the increasing tendency for publishers to go on-line and take advantage of the stratospheric demand for on-line publications, and at the same time to protect rights of writers to be compensated for their work," said Karl Olson, a partner at San Francisco's Cooper, White & Cooper.  

"If it's technologically feasible [to pay individual authors], then it undercuts the argument that it's impractical to do it," he said. "The PRC seems like a marketplace solution that avoids legal problems that are being fought in the Tasini case.  

"I would think that both publishers and writers would accept [the PRC] if they could avoid duking it out in court," Olson said. "But the legal rules are being made up as we go along in cyberspace, and to a large extent, they will be shaped by what can be done technologically."  

Roy S. Gordet, a San Francisco copyright specialist who has represented the National Writers Union, said publishers might not like the PRC because it removes an excuse for not paying authors.  

"In the Texaco case, companies couldn't say that it was too hard to track down publishers, because there was a structure set up," he said. "Similarly, in the PRC, there's a structure in place, and it's intended to facilitate licensing.  

"The PRC is a starting point, and it will be improved," Gordet said. "The [Copyright Clearance Center] has signed on big corporations that are concerned about getting nailed for illegal copying."  

David Hayes, head of the intellectual property practice at Fenwick & West, said the PRC was an "important development" that was necessary to realize the marketing potential of online  and multimedia products.  

"Over time in both cyberspace and the multimedia industry,
we must have a central place to get clearances; otherwise,
?1;0cit's impractical," he said. "The CCC has worked well, but
it's more oriented toward business-type publications. The PRC is more oriented toward writers.  

"I believe there's room for both of them, and I certainly think it's a good idea," Hayes added. "I definitely think it has legal importance in light of *Texaco*."  

Copyright 1996 Daily Journal Corporation  

                   #          #          #



PUBLICATION RIGHTS CLEARINGHOUSE
Frequently Asked Questions  

Q. What's the purpose of Publication Rights Clearinghouse?  

  1. The immediate goal of PRC ("perk"), the new collective licensing project of the National Writers Union, is to put money into the pockets of freelance writers who have articles listed and sold via UnCover, the largest magazine and journal article database in the world. Potentially, PRC also will strengthen our hand in the larger political fight for writers' rights in new technologies. This agency seeks to add options for working writers in their struggle to get paid fairly for the reuse of their material. Before long, PRC hopes to be licensing writers' works to other companies, helping writers get their due from electronic reuse.
  2. What's the genesis of PRC?
  3. PRC is the first victory of the NWU's Operation Magazine Index (OMI) campaign, which is confronting companies involved in the for-profit electronic distribution of freelancers' magazine articles without their permission and without their being compensated. Unlike other similar companies, the management of UnCover (which was recently acquired by media giant Knight-Ridder) responded to OMI by opening negotiations with the NWU to establish the firstever transaction-based writers' royalty system in this new medium.

   The same issue of "information superhighway robbery" is the basis of Tasini v. Times, the landmark lawsuit filed in 1993 by NWU president Jonathan Tasini and ten other members against six major publishers and database operators, and now pending in U.S. District Court in New York.  

Q. How do I get started?  

  1. Fill out and return the enrollment license, along with the initial copyright clearance fee. This enables PRC to clear electronic rights for your back list of articles. While PRC will endeavor to clear all electronic rights to your works, it will license to online publishers only the specific rights they require. (At present, in the case of our first licensee, UnCover, those are non-exclusive fax delivery rights. For details on the UnCover arrangement, see the section at the end of this document.)
  2. How does PRC work?
  3. In the vast majority of cases, freelance writers control rights to all uses -- print and electronic -- of the articles they write. By custom and law, unless otherwise specified in a contract, print publishers "buy" only the right to print it one time, in hard copy. So if you haven't otherwise signed away rights, you never need the first-use print publisher's permission to profit from further uses of your work. With that principle in mind, PRC is inspired by the music industry's American Society of Composers, Authors and Publishers (ASCAP). But unlike ASCAP's, the revenue stream for PRC is based solely on actual orders of works by online computer users. As an alternative to having thousands of writers individually licensing their periodical material, with bookkeeping and monitoring headaches on both ends, PRC licenses certain rights from individuals and then collectively licenses those rights to electronic publishers. PRC accumulates the copyright fees charged by these publishers and distributes royalties on a quarterly basis to our individual enrollees.
  4. How do I tell if I can legally license electronic reuse rights to a particular article?
  5. The PRC staff will make rights clearance decisions, based on the information you provide us. If you have a contract for your original assignment from the magazine publisher, we'll interpret it. If you don't have a contract, we'll ask you to warrant that you never transferred electronic rights to another party. If you're unsure, we'll review the facts with you by phone.

Q1. I'm an NWU member. Am I automatically enrolled in PRC? Q2. I'm not an NWU member. Can I still enroll in PRC?  

  1. You must enroll separately in PRC even if you're already an NWU member. And if you don't want to join the NWU, you can still license your magazine and journal works through PRC, but some fees may be higher. NWU members enjoy access to the Union's grievance division, which has recovered $1 million for writers from publishers. The NWU also offers, among other resources and benefits, training in its Standard Journalism Contract and Guide to Book Contracts, and access to an affordable group health plan.
  2. What does it cost to sign up?
  3. PRC's one-time initial rights clearance fee is $20 for NWU members and accredited members of any creators' organizations that have joined PRC as Associate Sponsors. (Free Associate Sponsorships are currently available to qualified organizations upon request.) For all others, the initial rights clearance fee is $40. This fee supports PRC's costs in researching and processing electronic rights licenses to each enrollee's back list of articles.
  4. Does the enrollment license have an indemnification clause, and should I be bothered by that?
  5. The National Writers Union urges writers to resist sweeping indemnification clauses in their journalism contracts, because those clauses often require the writer to indemnify regardless of whether he or she breached a warranty. The clause in the PRC enrollment license, by contrast, requires the writer to indemnify only for actual breaches (e.g., blatant misrepresentation of the rights he or she controls). PRC itself is indemnifying UnCover for claims of copyright infringement in the distribution of text from PRC's licensed inventory. We'll take on the necessary fights in interpreting vague or nonexistent contract language, but we do need protection in the event we're supplied with blatantly inaccurate information.
  6. I've written hundreds of articles. How can I possibly deal with digging up the paperwork or warranting the rights for all of them?
  7. We suggest you start with a group of your most recent articles or with the ones you think might have the greatest demand in the electronic marketplace. As we've explained, PRC is designed to make the clearance process as painless and streamlined as possible, but only you can supply the threshold of information that will allow us to get started. And collective licensing seems to be a potentially significant source of revenue for writers in new technologies.
  8. Can I market my unpublished writings through PRC?
  9. No. PRC licenses only articles previously published in a magazine or journal.
  10. What about other electronic publishing ventures?
  11. PRC is a pilot project. We hope our early success -- in combination with the pressure of the Tasini suit, our organizing efforts, and the convenience of the infrastructure we've created -- will allow us to make deals with other companies and turn this model into the industry standard for clearing rights on full-text databases, World Wide Web sites, and other media of the future.

ABOUT UNCOVER   Q. How does the UnCover arrangement work?  

  1. UnCover provides faxes of articles called up from its online index. Each time UnCover faxes an article to a customer, it adds to its own price a "copyright fee," set aside for the rights-holder. For PRC's licensed inventory, we have agreed on a copyright fee of 30% of UnCover's delivery price. The copyright fee is transferred to PRC. Before crediting the copyright fee to a writer's account, PRC then deducts an administrative charge: 20% of the copyright fee for NWU members, 25% for non-members. Currently, in most cases, UnCover's delivery price for a faxed copy of an article is $8.50, making the PRC copyright fee $2.55 and the total price $11.05. If you're a PRC enrollee and one of your licensed articles is ordered once, you'll receive either $2.04 (the $2.55 copyright fee less a 20% administrative charge) or $1.91 (the $2.55 copyright fee less a 25% administrative charge), depending on whether you're also an NWU member. We see this arrangement with UnCover as one model for deals between other online services and PRC.
                                  NWU member     Non-member
                                  enrollee       enrollee
 
     UnCover's delivery price      $ 8.50         $ 8.50
     to the customer
 
     PRC copyright fee               2.55           2.55
 
     Total price to the             11.05          11.05
 
     PRC administrative               .51            .64
     charge                         (20% of        (25% of
                                     2.55)          2.55)
 
     Royalty to writer               2.04           1.91
 
 

Q. Eleven bucks for a fax -- isn't that expensive?  

  1. At the moment, UnCover caters to a specialized market of researchers. The company plans to move soon into various forms of cheaper online digital text transmission. Through its carefully engineered rights-clearance mechanisms, as exemplified by its agreement with PRC, UnCover expects to strengthen its ability to market its content electronically. The PRC-UnCover arrangement does immediately result in lowering the customer's total price for many articles from the current $11.50 to $11.05.
  2. My UnCover citation has a typo!
  3. You'll have the opportunity to correct errors in your entries. UnCover has also agreed to begin working with us, in the future, on a system for writers to suggest other edits of their citations (including a one-sentence abstract) and cross-references by subject.
  4. I've written a lot of stuff that isn't listed in the UnCover index. Can PRC handle them?
  5. We can indeed. When you enroll, you'll first receive back from us a list of your "hits" in the UnCover index. But the purpose of that list is just to "jog your memory." The UnCover database -- essentially the combined periodicals collections of dozens of libraries around the world -- covers some 17,000 publications, but the index started only seven years ago and it has gaps. So we'll be asking you to list for us all of your periodical works for which you believe rights are available. This information not only will help us get those works listed at UnCover as quickly as possible, but also will generally expand PRC's repertoire for deals with other licensees.
  6. What about my future magazine articles?
  7. UnCover will "flag" and notify us of all future citations under your author name or names. In addition, we're asking enrollees to notify us of their newly published works and work with us to get their rights cleared quickly.

We expect that in some cases your PRC leverage will create opportunities for you to sell electronic rights to future works to your first print publisher, rather than licensing them through us. In those cases, of course, we'll notify UnCover and other PRC licensees accordingly. Received on Tue Apr 30 1996 - 00:28:33 GMT

This archive was generated by hypermail 2.2.0 : Mon Mar 26 2007 - 00:35:20 GMT