On 21, July 1998, Joseph P. Riolo <riolo[_at_]voicenet.com> wrote:
>
> On Tue, 21 Jul 1998, Michael Scarpitti <mscarpit[_at_]asnt.org> wrote:
> >
> > Could you please respond to my original formulation of the problem of
> > the Oxford University Press owning the copyright on Wells 1985 edition
> > of Shakespeare's works, one which I affirm but others would deny. I
> > thought your reformulation left out important details of my original
> > question, which was that it would take an architect (not a repairman)
> > to reconstruct an ancient structure that existed only in thousands of
> > fragments, many missing or damaged. I claim similar work in the
> > field of Shakespeare would constitute something deserving copyright
> > protection, because it goes beyond mere "repair" or emendation.
>
> It is very common that the publishers and authors are not obligated to
> tell the readers which part of their works come from the public domain
> materials and which part of their works are really their own. I feel
> (just my personal feeling, no intention to disparage anyone) that they
> are a bit unethical when their works contain public domain materials
> and they have made no effort to inform the readers which parts of
> their works are actually from the public domain materials.
>
> I do not know Wells 1985 edition of Shakespeare's works and I do not
> have any copy of it. Based on others' discussions, it seems that the
> majority of the edition comes from the public domain materials. If
> that is correct, then, Oxford University Press can claim copyright
> only in the small parts of the edition that do not come from the
> public domain materials such as the footnotes, introduction, side
> bars, and so on. How much money and time Wells spent on the edition
> does not matter at all, because the copyright law only recognizes
> the author.
>
> Say, pages 1 to 100 of the edition contain introduction, pages 101 to
> 500 contain several plays that are copied from the public domain
> materials, pages 501 to 600 contain footnotes (or endnotes), pages
> 601 to 900 contain several more plays that are copied from the public
> domain materials, pages 901 to 1000 contain some more footnotes.
> Only pages 1 to 100, 501 to 600, and 901 to 1000 are copyrighted by
> the Oxford University Press. Others are free to copy pages 101 to
> 500 and 601 to 900, in spite of the clear copyright notice on the
> copyright page.
>
> Your use of the architect as an analogy is very poor, I am afraid.
> Amy Stoller (known as ghoti) said very well why the analogy does
> not work. I really doubt that Wells did all of his edition on his
> own without the aid from the previous publications and scholars
> (not from ruins). This is much unlike the architect who is the
> "first" person to try to reconstruct an ancient structure.
I am not backing down on this!
Michael A Scarpitti
Assistant Editor
Materials Evaluation
1711 Arlingate Lane
PO Box 28518
Columbus, Ohio 43228-0518
800 222-2768 Ext 207
614 274-6003 Ext 207
Fax 614 274-6899
<mscarpit[_at_]asnt.org>
Received on Wed Jul 22 1998 - 21:12:05 GMT
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